Art

In less than a century , the painting way of Europe changed dramatically from the Baroque , to the Neo Graeco-Roman , to the wild-eyed ardor , reflecting the priorities and ideals of severally generation and how each came from the other . nowhere in Europe were the ideals of the culture reflected as well as in the paintings of France . Eugene Delacroix s Liberty Leading the People is the successor to Jacques-Louis David s The oddment of Socrates which was born(p) out of rejection of the ideals inherent in his great-uncle Franzois Boucher s The T jolt rock oilet of genus Venus . Boucher s rococo style of just thirty historic period in front seems almost infantile when compared to the bold human race drama and sense of David s piece . Boucher s painting , though aesthetically pleasing , depicts scenes that pass alo ng nothing more than harlequinade and fantasy , making the classical allusion to Venus , but portrait her in a traditionally human down in the mouth setting : fabrics hanging on each boldness , an elaborate seat cupids with their jewels and subservience , Venus with her fondle biddy - aspects of blue fantasy (Boucher , 1751 . Turning to view the fetch of David , the rejection of this aristocratic frivolity leaps off the canvas and into the viewer s psycheA crusader by nature and a classical enthusiast by kick upstairs , David painted pictures whose austerity was a conscious reaction to the rococo extravagances . David never thought of a picture as a mere painting . It had to have a manifesto-like subject social occasion pointing to political and social action . It was inevitable that the high arrant(a) purpose of the French Revolution would be reflected in his (Fleming , 1995 ,. 496 . As the French Revolution approached , Greek and Roman civic justnesss were ex tolled as salutary antidotes to the degenera! cy of the Old Regime , and The final stage of Socrates gave nearsighted expression to the moral and philosophical principles of David s time .

Painted with oil on canvas with its stoic theme , The Death of Socrates is perchance David s most perfect Neoclassical statement , in The Death of Socrates , David takes a scene from Plato s Phaedo and uses istic liberty to dramatize the event . both(prenominal) David s classic painting and Plato s literary work depicts the closing moments of the liveliness of Socrates , later on the elderly philosopher was accused by the Athenian presidency of impiousness and corr upting the young through his teachings , which aroused uncertainty and impiety in his students he was offered the choice of renouncing his beliefs or beingness sentenced to finish for treason . David shows Socrates calmly discoursing on the immortality of the soul with his mourning(prenominal) disciples , creating an iconographical image that chop-chop became a symbol of republican virtue and a manifesto of the Neoclassical style (David , 1787Completing the evolution from an aristocratic control to republic was Delacroix and Liberty Leading the People . The dramatic image of the topless female figure of liberty carrying a flag and counsel on revolutionary citizen soldiers seems to be the final examination flak to the aristocratic ideals as seen in the work of Boucher . The galore(postnominal) furious...If you want to get a full essay, order it on our website: OrderCustomPaper.com

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