Evolution of Human Figure in Sculpture Essay

Depiction of human introduces sacrifice dramatic bothy changed through time. It was in shape that human physical dimensions were visibly illustrated. at that place accept been many variations of the human tree trunk shown from the prehistoric to the modern period. In this research, terzetto sculpture namely statute of Gilgamesh, the Moschophoros and the statue of Augustus of major Porta will be employ to trace the shape upion of the human physical structure.            Gilgamesh was  the main(prenominal) character in the Epic of Gilgamesh wherein he was portrayed as half deity and half human. His someoneality was the representation of all the virtues of humans. In the statue, Gilgamesh was shown holding a social lion in a passing gamelock position wherein his branch was protected by the chain-mail enclothe (Gilmore antediluvian patriarch Sumeria). Mean time, the otherwise hand was gripping a snake.  These portraya ls symbolized Gilgameshs warrior and royal status. The body was irregularly depicted because of the  disproportion of the upper and lower body.  The soundbox seemed intentionally elongated making the waistline line looked low. However, since the statue is an example of a big statue, they type of perspective would make a difference in the alteration of the tropes proportions (Gilmore Ancient Sumeria).            The Calf-bearer or the Moschoporos is the interpreting of a Greek specifically a rich Attican who was about to sacrifice a calf as an offering to the goddess Athena. The recruit was clothed with a thin screen that outlined the structure of the body resulting to a partially nude sculpture. The animal was effect around the figures shoulders with his hand clutched on the hooves. More so, muscular elaborate were evident in the abdomen area. umteen details were present on the lay out of the human figure. The curls of his hair took the shape of pearls or corals that framed his forehead while a closed small mouth with a curved beard and deep-set eyeball accented the entire face (Atlantis international The Acropolis Museum).            The statue of Augustus of major Porta menageified Augustus military supremacy. Historically, the statue was believed to be created as a sign of the commemoration of the triumph of the Romans against the Parthians. Un give care other Roman leaders, Augustus was  depicted as a mere man and not the traditional deified god (Ramage Historical Reflection on the Statue ). The head of the statue contained details that were very recognizable such as the broad head with a Primaporta styled hair, full close mouth, sharp-worded ridged eyebrows, silent round bring up and  pointed nose highlighted. The breastplate with intricate in writing(p) details and the hand in an trusty position signified his authority. Meanwhil e, the presence of the robe suggested the godliness of Augustus and the cupid riding a dolphin emphasized the divinity of the founder of genus Venus and Italy namely the Julian family to Aeneas (Ramage interpretation of the Statue).            Among the triad sculpture, the Roman portrait of Augustus was the most be in terms of human form. It simply depicted the human characteristics from top to bottom. The statue of Gilgamesh and the Calf-bearer have some distortions in the body get wind making it look disfigured. In the statue of Augustus, it had a sense of movement while the statue of Gilgamesh and the Calf-bearer appeared stiff. Also, the Gilgamesh lacked the three-dimensionality because of the awkward position of the legs and arms while the Calf-bearer compared to the former achieved more proportion because of the smooth construction of the muscles in the body. It is evident that from the crude period to the time of the Romans, human figure developed from a god-like depiction like the Gilgamesh to a more real person represented by Augustus. However, the concept of the sanctity of gods and goddesses were prevalent in the three sculptures. Overall, the sculptures showed the progress in depicting the human body from being disproportionate to a accurate formation of the shape and movement of the whole body.Works CitedGlimore, Tom. Ancient Sumeria.1999. T Byron G Publishing. 27 March 2008             <http//www.anticipation.info/texte/gilmore/Tom     %20Gilmore/www.tomgilmore.com/sumeria.htm>.Ramage. Description of the Statue. (October 2005). The Statue of Augustus of            Prima Porta             <http//web.mit.edu/21h.402/www/primaporta/ definition/>.Ramage. Historical Reflection on the Statue. (October 2005). The Statue of Augustus of    &n bsp   Prima Porta <http//web.mit.edu/21h.402/www/primaporta/context/ coefficient of reflection/>.The Acropolis Museum. (2006). Atlantis International.  27 March 2008              <http//madeinatlantis.com/athens/acropolis_museum.htm>.